Some of you may know that I am a Super-Outliner. I don’t ‘pants’ anything when it comes to writing. I fill up every inch of our white board several times.
Each time I outline, I do it a little different, being guided by revelations I’ve had about plotting. I love a story that builds well and develops characters in an interesting way, something I worked on a lot in THE VARKEN. For THE BLESSED, my outlining developed even further, but I started the process the same way I always do.
Three Act Structure. I love it.
With THE BLESSED I had a vague idea of where things started and where things ended. The beginning of Act I and the end of Act III. Because of how the conflict is sparked, I knew where Act I would end, but that left Act II and III largely ambiguous.
So I put on my thinking cap. “How am I going to get to that big finish? What makes sense?”Read More »